Just thought I’d follow-up with the finished product.
If you look a back at the original post (http://wp.me/pKHNM-sS) you can catch up on this mini project.
After a few more hour of sanding with 220 and 600 grit and Purple Metal Polish (applied with the 600 grit and polishing wheel for my Dremel) you can see the results as compared with the original code aluminum pieces.
New Heim Joint
Now I won’t be able use the entire kit from Summit Racing but I will install this as the replacement for the old stock tension bracket.
No gadgets, no electronics, no error code readouts.
Just a ratchet, socket, feeler gauge and a set of 8 Autolite 45 spark plugs. Oh and a crappy old garage radio, sometimes playing music sometimes just static.
It takes me back in reverse chronological order. Back to some of the important “car” stages in my life. Back to my 82 Camaro, back further to my 69 Dodge Dart, back to my first 1966 Chevy (in 1976).
It takes me back one more stage, working in one of my father’s garages where I worked long days in the summer on customers cars and back a bit further watching my father work on our 61 Chevy Belair and his old Dodge pick up. Even further back to my grandfather’s garage with the half dirt half cement garage floor, watching the two of them trying to get that old early 1950 Ford or Chevy truck (we called it the “doodle bug” ..and no I don’t know how it got its name) running.
There was always a radio playing somewhere nearby often a baseball game or country music.
That’s one reason I love my 70 Mustang. Working on it takes me back to those days. Today I could have been 12 again, leaning over the fender of a real American made car, just the basic tools and an old radio tuned to a sports station recapping March Madness 2011. It could have been 1970 again.
Finished up the job and fired the Mustang up and that started the way-back machine again.
3/1/1988 Pontiac announces the end of the Fiero automobile – Was anyone sad about that?
Pontiac Fiero
3/1/1937 In New Jersey one of the largest dealerships of the era was opened. The Miro Brothers opened a state-of-the-art facility with “one of the largest and most modern showrooms in the country,” measuring 38′ x 40′ . The dealership was service station and dealt for Buick, Packard, Oldsmoble, and REO trucks. The east side of the building served as a Mobil gas station and service garage during the World War II.
So I left a couple of photos out of the last post. But I wanted to show (IMHO) a couple stars of the show and one of the strange one.
I covered the Galaxies and 500’s, however, here are a couple more: (Come..on..you would be able to pick just one or two either!!!)
(In no particular order)
Crown Victorian (before the exploding gas tanks and cop lights)
Oh..the Chrome!!
Did I mention the Chrome?
Just look at that smile..I mean bumper!!!
Not really comparable to the Crown Vic – this Starliner was, although not original, very nicely done.
Ford Starliner with a little custom work.
Oh..check out the intake setup on that Starliner!!!!
OK.. I know at least one of my readers will like this next car.
It is a 1965 Ford Mustang Station Wagon. Originally a concept created by William Sibo (designer for Ford Motor Company). He actually built this car from the original drawings. Car is currently owned by Ken Berger. The car now has a 429, rack and pinion steering C-6 auto trans, coil over suspension and power brakes, A/C and stereo system.
No Middle Road - Hate it or Love it.
There you go!
I can’t get past the that rear end….but this helps:
I was reading an article recently in one of my favorite periodical…you know…from the best auto magazine publishing company, IMHO, Hemmings, specifically Muscle Machines. The article was entitled Lessons of Originality and written by Terry McGean. I enjoy his pieces in HMM.
This article pointed out the importance of all original muscle car specimens, used as models for restoration and an understanding of how they were built, meaning exactly, how and why they were put together in the manner they were. This is a very valid point.
Terry goes on to say that today’s restorations are often taken too far and lose some of their original character. Again, another valid fact one can’t argue, but…..
For example, my 1970 Mustang coupe’s shock towers were stamped out and the car assembled without access to grease fittings. The towers had to be altered, in most cases just cut with a torch, so that the fittings could be reached. That is a known engineering/factory flaw and is a cool ( I think) characteristic that makes it unique. ‘Fixing’ that by replacing with re-manufactured parts with the cut out already there (I don’t believe these exist..but humor me here..ok..I know you usually do..and thanks for that!!) would be disappointing . It’s not like a safety hazard or something serious.
1970 Mustang Shock tower with cut out for grease fitting.
But there is just too much emphasis placed on some ‘original’ characteristics, like the correct paint mark or undercoating on parts. Irregular panel alignment or even one of the bigger deals, paint, specifically what is known as orange peel or that somewhat dimpled look to some factory paint jobs, are considered the epitome of originality and should re-create. To me that is just nonsense.
If you were to look at the side of my 07 Corvette you’ll notice the orange peel effect which looks like the surface of …. yes…an orange. This is said to be very important when judging a car in some levels of the business. But back in the days when I worked in my father’s body shop businesses, orange peel was a product of sloppy work. That is Terry’s point as well, that the cars were assembled with much less care, a lot less care than, of course we take with restoration. (More on that in a bit.)
Here is where I personally begin to draw the line about ‘caring’ whether a car is “restored” to original. First, if it’s restored, it’s not original or re-phrased – “It’s only original once!” (Don’t worry I’m going to drag you down that discussion path too far.) Second, small things like the realignment of the doors or hood or other panels doesn’t make it any more unoriginal if it’s restored nor does it distract from the car at all. The art of the restoration is what is really important and minor improvements are nearly unavoidable.
Let me use the restoration (we’ll call it “Part I”) of my 1970 Mustang coupe. I intended to restore it to what was possible back in 1969-1970 then the cars were built. Everything is period, not original to the car (swapped a 1970 302 for the original 250) but available as a possible option. I love the feel of this car, it still performs as it did back then, even with the aligned hood. At this point in its life span the car is as close to original as it’s going to get (it still has drum brakes). I’ve realigned the panels, I’ve replaced the motor mounts with polyurethane. In the next round of restoration the car will enter its “restro-mod” phase. It will take the Mustang way past the line I drew the first time around.
And why not? Hey…come…on, we project so much emotion in on our cars…’She’s just not running right’ or ‘That car just doesn’t like the cold’. Why not project that they all wish to grow and to change to become more than they were?!??! (Too much of a stretch…let me re-read it…..hang on…mmm….umm…………yeah too much…since I already typed it…I’ll leave it…no sense wasting bytes…pls tell me you got that?????)
Terry mentions that the folks building cars back in the 1960’s often cared little about what they were actually doing and of course none of them were as concerned as we are when we restore them. Now I wasn’t at the factories back then, but I bet in general they took a lot of pride in their work. Of course there were those that didn’t and those that did Monday – Thursday, but on Fridays, not so much. This happens in every business. However, back then many things were done by hand and during long shifts, back-breaking work to be sure. Not to mention that the engineering tolerances weren’t nearly as tight as they are today, it just wasn’t a concern. My only experience with the manufacturing side was my visit to the Corvette assembly plant (I’m going back this year) and it’s hard to tell what everyone everyone was feeling that Tuesday, but you could see the dedication to the overall process. Union’s have made a huge impact and as has technology, they both have had negative and positive effects on the business – but that’s another article.
I worry (but not too much) that the purists will ruin the art of restoration. Terry’s article reminds us that preserving original muscles car are important, as reminder of how it use to be done. But I say they shouldn’t be the only measure of a restored car. Restore it to enjoy it.
