First I really liked this striping on this ’77 Vette.
Look closely at the next few photos the stripe moves from dark to almost white.
Oh...and the stance on this is just extraordinary!
One more 77 .
One on looker called this a plain jane Vette, I told him there's no such thing!!!
Here are the 50’s era Vettes.
A little video clip…I didn’t add the music.
And the 60’s Vettes. The silver 63 is Steve Fagan’s. Owner of Hot Rods and Classics, located here in Tucson. They do great work including a lot of my engine work for the Mustang, which helped me win my First Car Show Trophy!! His Corvette has taken two trophies in the last two shows.
I ran across on ton http://www.corvettereport.com and thought I pass it along. If only they made some of these!!! You got to check out the 1991 C4 body.
Hot rodder Shinoda teams up with Bill Mitchell and defined the “Corvette look.”
Perhaps it was “in the stars” that Larry Shinoda was in the right place at the right time. If you strictly look at Shinoda’s resume in 1956, you might ask, “How did this guy get in the front door?” As a young man, the only thing Larry ever graduated from was high school, Army boot camp, and the School of Hard Knocks. Twelve-year-old Larry had his life turned inside out when along with thousands of Japanese-Americans, he and his family were sent to interment camps for the duration of WW II. The experience had a profound effect on his personality. A self-professed “malcontent” Shinoda could be a little difficult to work with.
After his Army tour of duty in Korea, Shinoda attended Art Center School of Design in Los Angeles, but truly hated being there. He could see no purpose in taking the classes in design and the various art mediums, such as watercolor painting. He was a car guy/hot rodder and he wanted to draw and design cars! So he left Art Center without graduating and based strictly on his car illustrations, landed a job at Ford, then Studebaker/Packard. Just a year after starting his career, he landed a job as a designer at General Motors.
The rest is the stuff of legend. Street racing and blowing the doors off of Bill Mitchell’s souped up Buick and quickly being taken under Mitchell’s wing. Things like that happens, but rarely. There was obviously some chemistry between the two men, perhaps it was because both men could be brash and had strong opinions.
Shinoda got his first big break when Mitchell tapped the 28-year-old to translate the body design of the ‘57 Q-Corvette on to the mule chassis from Duntov’s aborted Corvette SS project. The finished car became Mitchell’s 1959 Stingray Racer, which formed the styling theme for the ‘63 Corvette. From there, Shinoda got one peach project after another. It’s worth noting that the design of the Stingray Racer is held in such high esteem that current Corvette chief designer, Tom Peters (C6 Corvette and late model Camaro designer) is on record stating that his ‘09 Corvette Stingray Concept (aka Transformers Corvette) was influenced by the ‘59 Stingray.
During his almost 13 years at GM, Larry designed numerous special Corvettes, Corvairs, and several race cars, as well as his usual duties working out the styling details of various production cars. Presented here are Larry Shinoda’s most important Corvette designs. Later this week, we’ll take a look at Larry’s very slick Corvairs, and race cars, including the body design for Pat Flaherty’s 1956 Indy 500-winning Watson-Offenhauser.– Scott
1959 Stingray Racer The 1959 Stingray Racer is still a stunningly beautiful car design. The idea of a “broad, flat top surface” was to create a reverse airfoil that would pull the car down. The problem was that the sharp leading edge was too high and at high speed, more air was knifing under the car rather than going over the car, causing a serious front lift problem. The production Sting Rays and even the Grand Sport Corvettes all had the same trouble. This could have been corrected with a slight forward rake, if the nose had drooped down a n inch or so, and a chin spoiled was added. The Grand Sport replica cars from Duntov Motors use these corrections and front end stays where it belongs at high speed – DOWN.
1963 Sting Ray Concept Art The road to fully worked out new car designs was littered with concept art – most of which was probably thrown away. Here we see a headlight treatment study. Sorting out the production car’s rotating hidden-headlight design was a brilliant but challenging project. Note the absence of hood lines and windshield wipers. It also looks like they were considering scoops on the back edge of the doors.
1961 Mako Shark I Showcar – AKA “The Corvette Shark”
With the basic Sting Ray design approved for production, Bill Mitchell had Shinoda design an exaggerated version for a teaser show car. Known today as the Mako Shark-I, the car’s original name was simply, “Corvette Shark.” 1961 was still the “Jet Age,” so the car was originally shown with a plexi bubble top. It was kind of “Jetsons” neat-looking, but would anyone really want one for their daily driver?
1963 4-Seater Sting Ray Split-Window Coupe
The XP-720 4-Seater Corvette Sting Ray was an exploration into the possibility of the Corvette competing with the much better-selling Ford Thunderbird. Ed Cole, head of the GM car and truck group, thought it was a pretty good idea. After all, GM is in the business of selling cars – LOTS of cars. Since the public bought 73,051 Thunderbirds in 1961, compared to 10, 939 Corvettes, it seemed like a no-brainer. The story goes that a tall executive got stuck in the back seat and needed quite a bit of help getting out. The 4-seater concept was quickly dropped. Good!
1963 Production Corvette Sting Ray Split-Window Coupe
Look at 1963 cars from America and Europe and there’s NOTHING like the Corvete Sting Ray. The split-window was one of Bill Mitchell’s pet design elements and was a one year deal. Although the design concept of a “split rear window” wasn’t new with the Sting Ray (the 1950 VW Beetle had a “split” rear window), the overall presentation of the Split-Window Coupe Sting Ray looked like NOTHING else.
1964 XP-819 Rear-Engine Corvette Engineering Study
The Corvair was the only production car to come out of Ed Cole’s ‘57 Q-Chevrolet initiative and was considered very exotic when it came out in 1960. But trouble quickly set in and it wasn’t just Ralph Nader’s doing. The early Corvairs were not good cars. But the “rear-engine” concept was very alluring to Chevy engineer Frank Winchell. Frank insisted that with the correct size tires the inherent oversteering problem could be corrected. Winchell envisioned a rear-engine Corvette and Zora Duntov said, “No!” To prove his point, Winchell had Shinoda design a pretty body to cover the big V8 engine hanging out behind the trans-axle. Upon seeing Shinoda’s rough full-size drawing, Duntov asked, “Where did you cheat?” Where he cheated was that there were no real rear bumpers or crash zone on the back end. The concept was quickly dropped. it was also discovered that the car did excellent wheelies!
1966 Running Mako Shark-II Showcar
Bill Mitchell verbalized the parameters of the design and Larry Shinoda and a small group of designers and stylists worked out the details. It was as if lightning had struck twice – first with the Sting Ray and a few years later with the Mako Shark-II. The exaggerated fender humps have become THE signature Corvette profile. A non-running full-size version was shown to GM’s management in ‘65 and received unanimous approval as the next Corvette. While the new body and interior designs were being worked out, a second “running” Mako Shark-II was built to keep the Corvette fans stoked. Almost 50 years later, the Mako Shark-II is still a jaw-dropper!
1991 Mears-Shinoda C4 Corvette Body Kit
Larry left GM in 1968, stayed at Ford for one year, then formed his own design studio where he worked on all kinds of automotive and non-automotive design projects. Corvette body kits and add-on parts became very popular though the ‘70s and ‘80s. Three-time Indy 500 winner, Rick Mears teamed up with Shinoda and businessman Jim Williams in 1991 to create and offer the Rick Mears Special Edition Corvette.
Arguably the cleanest full-body-kit ever offered for a C4 Corvete, the coupe version lowered the coefficient of drag on the car from .34 to .30. The complete kit cost approximately $5,200, plus $3,000 for installation, and around $1,000 for a new paint job. With a cost of just over 10 grand on top of a $32,455 new ‘91 Corvette, there weren’t many takers. But, it was a very nice design.
Shinoda C5 Sting Ray Concept
The all-new C5 1997 Corvette was released in the Fall of ‘96 and Larry Shinoda got right on it. Note the date on the rendering, “1-6-97.” Obviously, Larry wanted to see more “Sting Ray” in the new C5. If you’re a mid-year Corvette fan, Shinoda’s concept looks pretty good. Larry died the following November and to the best of my knowing, there was never an effort to make a full-body kit based on what may well have been Larry’s last Corvette design project. Any fiberglass fabricators out there that would like to take a shot at the Shinoda C5 Sting Ray???
No it’s not real Corvette – but the Collector’s Promo Revell Model. In the original box.
All you have to do is guess the year of the Corvette the part pictured belongs too!!! First one to post the answer gets 1 point. The first one that gets 4 correct wins the car.
No it’s not real Corvette – but the Collector’s Promo Revell Model. In the original box.
All you have to do is guess the year of the Corvette the part pictured belongs too!!! First one to post the answer gets 1 point. The first one that gets 4 correct wins the car.
When I first purchased my 07 Corvette and took my wife for a ride. I was pretty jazzed and noticed the noise emanating from the roof.
That was the first thing she noticed. I was so caught up in the handling and power I was ok with the noise. But after she mentioned it, I wasn’t able to ignore it quite as easily.
The squeaking was very profound and since our roads aren’t the best in the land, it crazy loud. So the search was on for a cure.
Lots of help on-line including resetting (releasing the front latches) and closing them again. This came with the sage advice “….I got the wife accustomed to helping me reset the top at stop lights…don’t do it while you are moving….” I wonder if that little nugget was from a first person experience?
And for a while I would reset the top latches (not while moving) when the noise got frequent. But that just couldn’t be a long-term solution……”ERRRRRKK….(braking noise)…..I brake for “soap boxes”!!!
I am frankly sick and tired of hearing for Corvette owners the following phrases…”that’s the nature of the beast”….”that’s just something you have to live with”…and the my favorite…”You’ll get use to it.” That is all BS. If things are broken…then they are broken. If doesn’t work like it’s supposed to, then it needs attention. I’ve heard that ever since I’ve owned my C6. Those tired phrases, were used for the squeaking roof and the odd activity with my gas gauge after filling it up and the cold weather shifting issue. No way dawg, I want this stuff fixed!!! .
So back to top issue. After checking with a few more Corvette buddies, I ran into to one that gave me this, every valuable tip. He used it successfully.
Get out the lube…Dielectric grease the rollers / contact point for the front latches and the pins in the back. Lube up the rubber moldings /contact points of the moldings.
Di-Electric-Grease
Lube the rear posts.
Spray a little on a rag and wipe down the rubber weather-stripping. You don’t need a lot.
I’ve only done one time and not since. But I keep the rubber clean and no problems.
For those of you aren’t familiar with the top (I’ve talked to a couple that didn’t know the coupe had a removal top.) see the video below.
I got this idea from our friend Joe in Florida. Thanks, Joe, for the pictures and the reminder of some these great iconic cars.
I’ve always admired the workmanship that went in to the older cars that had wood components and have always disliked the simulating wood on cars with plastic molding and contact paper stuck on the horrible quality 1970’s and 1980’s station wagons was supposed to be a retro look (but only at 15 feet away) and cool (well as cool a station wagon was back then). I recall working in my father’s body shop and how much “fun” it was to put that contact paper back on Ford station wagon. In this mini series “Gorgeous “Wood Vehicles” I’m going to pick a year and toss you a few facts about the cars that came ‘in wood’.
Wood was used a lot in the auto industry, from all wood wheels to just the spokes to entire frames and interiors (like dash boards and steering wheels). Some of the best uses known uses were on the outside and truck beds. They were often referred to as ‘Woodies” either correctly or incorrectly, be most of us know that the term relates to cars with real wood on the outside. These are the cars I’m going to look in this series. For no particular reason, other than this was the first picture Joe sent, I’m starting with the year 1948.
A major reason for using wood was the shortage of raw materials and labor issues for producing steel/sheet metal. This was the case in 1948, just a few years after the end of World War II.
Nearly all of the major producer had models that had external wood components. This 1948 Chevy was one.
1948 Chevy.
This is the two door Fleetwood Aerosedan, but Chevy also made an 8 passenger station wagon the Model 2109 Fleetmaster. This year’s model set the record for Chevrolet woody production with 10,171 wagons built. Both Cantrell and Iona built bodies to fill the demand for the last Chevrolet wagon with structural wood. The 1948 Chevrolet Fleetmaster Station Wagon was the last true woody (structured wood) from Chevrolet. What type of wood was used? Ash the wood used for the structural base, while mahogany was used for the panels. Leatherette was stretched over a wood frame to provide the roof. Approximately 10,171 were built between February 1948 and January 1949.
Most of these cars were powered by the Chevy Straight 6, 216 CID engine.
The 1948 Straight 6 216 engine (The 235 was very similar).
Engine specs:
Bore and stoke 3.5 x 3.75 (in); Displacement 216.5 (CID); Compression 6.50:1; Max Brake Horsepower 90 @ 3300 RPM; Max Torque 174 Lbs.ft. @ 1200 RPM
Packard was another manufacturer that produced woodies. They released their Twenty-Second Series cars. They were Packard’s first totally new models were since before World War II. The wood used was northern birch for the frame and maple panels. This was purely for looks, because the overall structure was braced by the metal body shell which actually was modified from the Standard Sedan Body, only the upper rear quarters which were removed from the sedan body used the wood as actual bracing. On the door sides and window frames the regular sheet metal was cut away in order to allow the wood to be inlaid, rather than just bolted on top. These were powered by the Packard’s L-head straight 8.
Some engine specs:
Bore x stroke 3.50 x 3.75 (in.); Displacement 288.64(cid); Horsepower 130 @ 3,600 rpm; Torque 226(lb-ft) @ 2,000 rpm; Compression ratio 7.0:1; Main bearings 5; Lubrication full-pressure; Carburetor Carter 2-bbl
automatic Choke; mechanical Fuel pump
We have Chrysler’s, and Pontiac’s 1948 woodies as well as a Bentley woody and Willys coming up next in this series.
Oh the cars of the 1950’s were great. So how did they start out that iconic decade?
Some fantastic car and shapes came out in 1950.
Leading the numbers game was Chevy and Ford with over a million each, Chevy with 1,498,590 and Ford with 1,208,912, not bad.
Plymouth was third with nearly 800,000 out of first place with 610,954, Buick with 588,439 and Pontiac finished up the top 5 with 446,429.
Here’s the rest of the 19 makers:
Oldsmobile – 408,060
Dodge – 341,797
Studebaker – 320,884
Mercury – 293,585
Chrysler – 179,299
Nash – 171,782 (produced it’s 2,000,000th car)
DeSoto – 136,203
Hudson – 121,408
Cadillac – 103,857
Packard – 42,627
Lincoln – 28,190
Kaiser – 15,228
Crosley – 6,792
Frazer – 3,700
Do you have a favorite? I have a couple. My first would be the Hudson, followed closely by the Studebaker with its bullet nose.
I don't know why but I love the shape of these cars. Here is the 1950 Hudson Commodore.
There is nothing more interesting than the Bullet Nose Studebaker. Here is the 1950 Land Cruisera.
What else went on in 1950?
Micro Cars!!! Say WHAT??? Yeah!!! The IMP – hailed as “The Little Car with the Big Future”. With an MPG of 10 miles per gallon and all fiber glass body, the hopes were high. But the car didn’t sell and disappeared in the same year.
